at an early age. At age 5, both received the same Penn & Teller Fool Everyone magic kit. Now, both Otto and Victor share a firm belief or knowledge he is a great magician with the best magic tricks. Feedback from friends, family, and many courteous strangers fuels this self-image. Otto gets on Fool Us and feels overjoyed when
he fools Penn & Teller
; but, to Otto’s dismay, that doesn’t do diddly twat for Otto’s career in show business. On the other side of the coin, Victor gets on Fool Us and does
not
fool Penn & Teller (for the camera, Victor merely pretended to care about fooling magicians). Victor’s “humiliating” appearance on Fool Us catapults Victor’s career.
In this way, Fool Us is similar to American Idol. It draws performers with confidence in their abilities, regardless of their ability. Unfortunately, our feelings, like our thoughts, are inaccurate. A drunk driver has a feeling of self-confidence, but nobody wants that person behind the wheel. Having appeared on Fool Us can be good for a good magician. But is “Fool Us” good for magic? I think it is. It gives a platform for good and bad magicians to exhibit their magic. More people see more good (and bad) magic and refine their taste for it. Here’s what other magicians have to say:
Magicians speak out
Richard Osterlind
The Bizarre Magician performs magic that approximates what it might be like, emphasizing the “magic” more and the “entertaining” less. Imagine a poet with a candle and a crystal ball. That’s a bizarre magician. He doesn’t aim for laughter or applause. He aims to shake your sense of reality. The Bizarre Magician’s performing persona and regular life persona are identical. After the show ends, he maintains the façade.
ESCAPE ARTIST“My problem with the show is I always considered magic to be the creation of mystery—not the attempt to ‘fool’ someone. I think it demeans magic as an art form.” -Richard Osterlind (not well-known to the public as a performer, but every magician knows of him…a prolific creator of mentalism)
The
escapologistMike Pisciotta or “escape artist” is a magician who extricates himself from tight spots, such as straight jackets and locked chests. The most famous magician of all time,
Harry Houdini
, was an escapologist.“I don’t think the show is necessarily good for magic, but I do think It could be good for some of the magicians who are on it. Many magicians who have appeared on the show have benefited from doing so. Is the magic always good? No.” -Mike Pisciotta
Cody Nottingham
GEEK MAGICIAN
“It exhibits excellent magic, as well as bad magic. It includes but excludes good performance. Fooling is easy, but can you do it with class, great execution, great performance, and confidence?” -Cody Nottingham
Billy Kidd
The quick change magician, such as Sos & Victoria Petrosyan, magically change costumes in an instant.
GOSPEL MAGICIAN
The gospel magician evangelizes to children by integrating a sermon into an entertaining magic show.
“I do enjoy watching ‘Fool Us’ as I believe it’s a show that celebrates magic. I don’t think the fooling aspect of the show plays any part besides a concept to sell for television purposes and a gimmick to hook the viewing audience. Fool Us is a show about magic that gets to showcase some fantastic performers that most of the world has never seen before.” -Billy Kidd
CORPORATE MAGICIAN
Magician Paul Wilson
Many corporations employ a magician to show appreciation to their clients and/or employees. A magician is one of several fun ways to entertain clients and one of the most popular
client appreciation event ideas
. In many cases, the magician is paid not with the entertainment budget, but with the marketing budget. This is true for the “‘Fool Us’ is an excellent showcase for acts that have a solid piece of magic to entertain any audience—whether they win or lose is beside the point. Whether the act foils Penn & Teller relates little to how successful the act might be afterward. Piff proved that. Mac King proves that. Some tricks that fool Penn & Teller are shoddy tricks, some tricks that don’t fool them are fantastic for the audience at home and in the theater. I’d prefer if fooling Penn & Teller were not the goal, but that’s still an excellent hook to attract viewers.” -Paul Wilsontrade show magician
. The corporate magician presents at product launches, meetings, team building and team bonding events, and conferences.
Aaron Fisher
CHILDREN’S MAGICIAN
When I was in high school, Ricky Jay had a big show on Broadway and a version on HBO. He was the only card magician anyone had seen. When a person has a band, you get to think, ‘Oh! I know what a band is! I’ve seen bands I like and ones I don’t like. I wonder if I will like this one.’ It’s good for magic when the public has seen enough to have some taste for magic. Some will have a taste for what we like; others will have crappy tastes. For magicians who like being the only magic they’ve ever seen, it can sometimes make things a bit more challenging. But if you’ve been working hard at your craft, there’s only the benefit from an informed audience.” -Aaron Fisher
Performed at elementary school assemblies, libraries, preschools, and birthday parties, the children’s magician tailors his magic show for children. Because children cannot comprehend the difference between possible and impossible, and don’t appreciate cause and effect, these magic shows use magic as a premise for comedy.
Michael Kent
PICKPOCKET“The show’s not about winners and losers, but that’s coming from a loser (on the show). Why did I do Multiplying Bottles? I had pitched an original routine to them, and they liked it. But the producers went on my YouTube channel and wouldn’t stop talking about how great the bottles would look on the show. They wanted the energy that this trick creates. I decided to do it, knowing that 99% of their audience aren’t magicians. Most of the
best Fool Us
magic—the magic that gets Penn & Teller (well, Penn) to shout
You fooled us
!—ends up being sort of procedural. Lots of steps, instructions, exposition—and can appear less energetic and flashy. The trick I first pitched, I believe it May have fooled them. It’s an original handling, method, and a unique plot. But a bonus for me was that the bottles are something I have performed more than anything else. I knew I would rock it without shaky hands. It was my choice to do the routine I did. I chose it because I thought it would make better television than my original choice.” -Michael Kent
Michael Ammar
As the pickpocket magician removes wristwatches, billfolds, and even neckties from the onstage volunteers, he uses magic to misdirect the participants from their personal effects being lifted. Pickpocketing and magic have a long history. As you can see in this old painting, as the magician arrests the audience’s attention by performing the Cups & Balls, the magician’s partner pickpockets the onlookers.
“Every assumption I’ve made about ‘Fool Us’ over the years has been wrong. I instinctively assumed being fooled or not with a flawed premise for a program. It took a couple years for me to realize it wasn’t about that. It was about having a professional venue to showcase your talents to a national audience. “…I assumed Penn and Teller would find it difficult, if not impossible, to negotiate the fine line discussing methods in a way only magicians would understand and that, perhaps, they wouldn’t mind crossing that line on occasion. In contrast, they’ve become outstanding goodwill ambassadors of magic while making the public aware of the broader palette of talent magic has to offer. “…Two things, in particular, worked against my assumptions.
First, Penn and Teller managed to maintain authentic reactions while giving coded signs that never reveal secrets. “…But beyond Penn and Teller’s authentic reaction was their enthusiasm tech, egoless support for anyone who walked out and delivered the goods. YouTube has given appearances on ‘Fool Us’ an afterlife Is unprecedented in television history. “…while it’s flattering to be asked about Penn and Teller and the future of ‘Fool Us,’ my track record on these topics has been terrible.” -Michael Ammar (every mentalist knows the name Osterlind, and every magician knows Ammar,as laypeople know
David Copperfield
; he’s the “magician’s magician”; the most excellent teacher of magic ever; I have never seen sleight of hand better than Ammar’s).difference between illusionist and magician types of mages walk around magicians ma. tipos de magos straightjackets magicians meaning magician types the magicians types of magic illusionist vs magician types of magician magician illusionist the magic magicians magicians terms difference between magician and illusionist
Erik Tait
“If you can find more than a handful of people who had a bad experience, I’ll eat my Menotti card clip. Usually, when it’s a bad experience, it’s a self-inflicted wound Is a result of ego or not being prepared for some part of the entire process. The secret is, this show is the best thing to happen to magic in the public eye in more than a decade. Yeah, it’s annoying when someone asks me if I can do that trick like Shin Lim, but it’s heartening that a layperson knows Shin’s name at all.” -Erik Tait
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magic types difference between illusionist and magician is magician stuff.In the effort to fool the trained eyes of American ninja warrior Penn and Teller, magicians can be innovative for the sake of being innovative. For magic in the real world, though the method is essential, the method is of little importance. The magic that gets
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But that’s not the main draw to the Fool Me TV show. Many people keep watching the show—even those who wouldn’t watch a straight magic show. They watch
magic types Penn & Teller Fool Uswhat are magicians because of the drama. What makes good drama? One word—conflict. This TV show has it. Just like in his book Cruel Tricks for Dear Friends, Penn Jillette playfully plays the villain, and he often prefaces “You fooled Us!” with a statement of frustration and pretended rage. That conflict is drama you can’t look away from. The best of Fool Us Penn and Teller90s magicians are often acts that don’t fool Penn & Teller.the magic magicians
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