Bizarre Magic

bizarre magician.jpg

Bizarre magic is a concept that includes Wizard-style magic, Simulated Black Magic or Ceremonial Magic, Mediums or Spiritualists, Grotesque Magic, and Freak Show Magic is Weird Magic (or the less mysterious spelling, Bizarre Magic). The goal is to make people wonder if "the real thing." is what they see. There is a great deal of focus on creating "atmosphere" and story-telling.

For a greater sense of dramatic realism, Bizarre magic magicians often employ storytelling. Techniques like these are crucial factors in separating Weird from other kinds of magic performance in that "Bizarre" refers to a wider magical universe outside the performance boundaries.

Bizarre Magic magicians use magic as a visual kicker in their bizarre magic to tell tales of the strange, eccentric, or spectacular kind (providing "proof" that the story did in fact happen).

The Cauldron (1967), Invocation (1974) and The Altar Flame were several journals devoted to Bizarre Magick (1993). The Vibrations journal often discusses topics related to Bizarre Magick.

List of Bizarre Magic Magicians:

  • Tony Shiels

  • Eugene Burger

  • Charles W. Cameron

  • Tony Andruzzi

  • Eugene Poinc and Roni Shachnaey

  • Todd Landman

  • Iain Jay

  • Careena Fenton

  • Nick Brunger

  • Ashton Carter

  • Nik Taylor

  • Paul Voodini

  • Tracy Wise

  • Steve Drury

  • Mary Tomich

  • Jim Magus

  • Paul Prater

  • David Parr

  • Vince Wilson

  • Prof. BC

  • Joe Lantiere and Vladdere

Bizarre Magic Fae Gothic Horror

Misinterpreting Black Magic Circle Spirit

There is also an unfounded belief among certain individuals that bizarre magic must be ghoulish, ghostly, or ghastly. Not actually, that's real. Funny, comical, and downright slapstick can be bizarre magic. Emotionally touching and philosophically provoking, it can also be. A key aspect is that, on a deeper emotional level than ordinary magic, it must affect the viewer. That's done with a theatrical focus. It is often done by simulating or re-enacting occult, pagan or shamanic magic, but, unlike Gospel Magic, it is not meant to encourage religion but to promote entertainment.

In addition to the traditional commercial magic approaches of humor and wonder, as Bizarre Magic embraces horror and the supernatural as viable entertainment decisions.

Magic should be disturbing sometimes. It should make people uncomfortable.

That's not an easy goal. It's not a commercial goal. The audience doesn't necessarily walk away smiling and admiring how clever and adroit you are. Instead they have a creepy feeling that what they've just experienced might have been real.

Another technique used in performance is the incorporation of story-telling.

Introductive Haunted Séance Witchcraft

For a few people at a time, Bizarre Magic is mostly done as close-up magic, but, depending on the routine, the props, and the artist, it may also be performed as a club show or even as a stage act. More so than other forms of magic, instead of mimicking performance styles or the performance of standard effects that are popular in commercial magic, the Bizarre Magic culture promotes the artistry of the performer and the development of unique presentation objects.

A History of Mummified Matchbox

The art movement of Bizarre Magic started with Charles Cameron and Tony "Doc" Shiels in the late 60s. Tony Andruzzi (aka Maskelyn ye Mage), Jim Magus, Carl Herron (aka Brother Shadow), Tony Raven, Joe Lantiere, Eugene Burger, Eugene Poinc, Larry White, Christian Chelman, Robert Neale, Jeff McBride, Denomolos (Ed Solomon), Roni (Roni Shachnaey), and Ulf Bolling were some of the big artists since then (aka Borodin).

Within the Bizarre Magic group, much of the content on the subject is published privately and is not readily available via regular distribution. And many of the significant works were either hand-made on a very limited basis or written. Thus, many have substantial collectible prices in the hundreds or thousands of dollars, despite being relatively recent publications.